Now if you are asking yourself, what will this help you determine? Most directly, it will effect your interval and shutter time. When you know the role that the shot will play, you will be able to determine how you will need to capture the shot. ![]() When setting up your shot, you will need to think of how the shot will help you tell your story. What role is the shot playing in your final piece?īefore choosing to shoot a timelapse you should determine the role the timelapse will play in your final film. The mood / tone / pacing of a piece is determined by a number of factors. Take notes of things that would make the process easier for you in the future. For your story, does it make more sense for the shot to be captured at night, during the day or a blend between the two? This will help you determine what type of gear you will need to take with you. Another good habit to get into is fine-tuning your kit to your specific needs. You will then want to figure out when the best time is to capture the shot. If you are unsure how to approach this, make sure to check out the tutorial I did on Story, Scheduling & Scouting where you can find out what aspects you will need to consider about your subject matter and location. This question is the foundation for all answers to follow so make sure you have scouted the location you want to shoot or have a clear idea of all the elements that exist in that environment. The first thing you need to determine is what you want to shoot. In these questions, I have outlined what you will need to consider. To best understand what APERTURE should be, what your SHUTTER should be set at and what INTERVAL (DELAY) you should be using, you will want to have a clear answer to the questions stated below. Getting Startedīefore delving into the section below, I highly recommend checking out the quick start guide that breaks down how to control your camera and setup your shot. This series of posts on shooting a timelapse will also be presented in a serial fashion so I recommend mastering each of these skill sets before moving on the more advanced techniques. If you haven’t seen it yet please check out the two previous posts on Kit Breakdown and Story, Scheduling & Scouting before proceeding with this post. How long are you able to be at the location?īecause there are many different ways to approach shooting a timelapse, I will be using case studies to help illustrate each setting.What style of shot do you want to accomplish?.Why do you want to shoot the shot as a timelapse?.What role is the shot playing in your final piece?.Although not foolproof, these questions will help get you close to the settings you will need to use in your given situation. Out of all the questions that I get, the most common are what F-STOP (APERTURE), SHUTTER and INTERVAL (DELAY) to use. In this post, I will first walk you through how to setup your camera and then will follow with the 7 questions that you will want to ask yourself before heading out to shoot. Export your images from your editing software and look for an export setting that will add a number sequence automatically (Lightroom is great for this).One of the challenges you need to overcome when shooting a timelapse is determining the ideal setting for your camera. There are many software packages - some of them we consider the best photo editing apps (opens in new tab) - that will do this for you automatically but in nearly all instances you first need all the pictures in a single folder and numbered sequentially. Always use an image from the middle of your sequence as your base edit. Most editing software allows you to either synchronise or copy the edit settings to multiple images at once. Once you have downloaded your images, you need to edit them consistently, so that the final sequence looks natural and minimises flicker. You'll see a lighthouse and a rock formation included in the time-lapse clips on this page, which add a static focal point to the images. Try and find a landmark or structure to add extra interest to the view and emphasise the movement in the rest of the composition. To really highlight the sense of motion, it is a good idea to try to include a static element in your composition as well. ![]() (Image credit: Tom Ormerod) How to compose the shot
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